Her work has been praised as “quirky and inventive” (LA Times), “intricate with comedic panache” (LA Theatre Review) and “riotous, surreal, wildly manic and not soon to be forgotten” (The Tolucan Times). From the director of DREMPELS and Musical Chairs, it’s performer/director/movement artist Serena Dolinsky’s RED SAND, an innovative and unusual piece of physical theatre that faces head-on the various facets of loss and hope, on a personal and global level, with heart, humor and a touch of absurdity. Presented through a series of revolving stories, RED SAND is at once non-linear, chaotic, cathartic, and undeniably relatable. Using an evocative dreamscape of sights, sounds, and sensuality, journey through the capricious stages of loss and hope, walk on the edge of the thin line between the sensations, real or imaginary, true or false, of what frees and fetters us.